4/28/2021 0 Comments The Hunger Games Ost Rar
When the refrigerator went on, half the oscillators dropped by a quarter tone.Close Alert Close Rare 70s Electronic Music Is Hidden in The Hunger Games Backchannel Business Culture Gear Ideas Science Security More Chevron Story Saved To revist this article, visit My Profile, then View saved stories.
![]() Laurie Spiegel, who composed a piece featured in The Hunger Games, in her New York apartment in the early 1970s, surrounded by musical equipment. Photo: Stan Bratman Facebook Twitter Email Save Story To revist this article, visit My Profile, then View saved stories. A strange and fascinating piece of abstract electronic music surfaces in a key sequence in The Hunger Games. Its not the type of slickly produced music youd expect to pop up in a Hollywood blockbuster that is breaking box office records around the globe. I didnt have multitrack recording, she said in a phone interview with Wired. I had to do the mixing with two stereo reel-to-reel decks, and the only way to mix was to play something live, where one deck was playing audio while the other deck was recording the other machine. You piled the tape hiss and noise for every generation you added. You wont find Sediment on the official Hunger Games soundtrack, which was produced by T-Bone Burnett and debuted Wednesday at No. Billboard Top 200. The top-selling album features pop megastars like Taylor Swift alongside the Arcade Fire and other popular indie rockers. But you can hear Spiegels work in the movies intriguing sound design. The legendary Minimalist composer Steve Reich makes a cameo appearance in The Hunger Games, too, thanks to his piece Three Movements for Orchestra, Mvt. Lower Austrian Tonknstler Orchestra. Peel away further at The Hunger Games audio and youll find pieces by Icelandic composer Olafur Arnalds and Chicago instrumentalists the Hypnotic Brass Ensemble. Spiegel said she worked out Sediment, which you can hear in the video above, using graph paper and a ruler to get the timing of the layers right. People who are in love with vintage analog now dont understand what it was like to work with analog synths before computers, and before multitracks, she said with a laugh. Multitrack recording existed in 1972, but it was still the province of studios and the very rich. While recording Sediment in her tenement apartment in Manhattan, Spiegel used a semi-modular Electrocomp 200. She recalled having to turn her refrigerator off to keep the analog synthesizer in tune. ![]() It was a five-room apartment running on a single 15-amp fuse, she said.
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